Publicity



Dallas Morning News Trend Section,
1978


March 1987
Ultra Magazine full page color article


Article 1980 Au courant section
Texas monthly


Dallas Times Herald July 1989
High Style section
by Nancy Smith


Veranda magazine 1988


Dallas Morning News, by Alan Peppard


Park Cities People July 1989
Tom and Agness Robertson


Dallas Morning News, Alan Peppard
The limelight


Dallas Morning News, January 1989
“Chef Menu”


Women’s Wear Daily “W”
“Texas True Grit”
½ page


Dallas Times Herald, Nancy Smith, photo with Carol Channing


Park Cities News
Impressions


White House
Visit April 1987
Concert and reception


Dallas 200
“Two hundred people who count most”
Ultra Magazine
1990


Morning News
by Nancy Smith


Dallas Morning News
by John Hawkins
October 22, 1987


Dallas Morning News
High Life
High Profile
In Quotes
by Diane Justice


Dallas Morning News
High Profile
“Pieces of the Past”
by Diane Justice


Arkansas Democrat
October 1986
Social Scene
“Social eyes”
Phyllis Brandon


The Dallas Times Herald
October 29, 1987
“Crystal”


Dallas Morning News
June 1988


Traditional Home
1991
6 page color article


Detour Magazine
1989
4 page article


Home and Garden Magazine
1978


Park Cities News
Arts and Antiques
September 1988


Dallas Times Herald
May 1987
“Local Craftsman frames Reagans to their delight.”
by Maggie Kennedy


The Dallas Morning News 1987
by John Hawkins


Park Cities People
October 1987
Tom and Agnes Robertson


Public Relations photos click here 

3264 County Road S.E. 4115, 
Mt. Vernon, Texas 75457,  9Work shop # 903 588 3137   also  903 588 2402



Bio by M.T.

Robert Whiteside, a Renaissance man. He paints impressive impressionistic paintings, cooks gourmet meals to rival a five star chef and in fact owns his own restaurant on his 68 acre country B&B.  He is an instrument pilot and an accomplished musician and is considered an important craftsman of our generation. Robert Whiteside is noted for his keen sense of taste and style and his unusual talent for creating unique objects of art and jewelry that are now in major collections around the world.

From his studio, formerly on Inwood Road in Dallas, now at his 68 acre country house/B&B/Restaurant and Studio near Mount Vernon, Texas, Robert has maintained the virtually lost art of guilloche enamel. The art of guilloche enameling was first introduced around 1750.  M. Gorin, who specialized in a mechanically engraved wavy pattern resembling moire silk,  noted the technique particularly attractive when seen through a thin layer of clear or translucent enamel. the process became known as guilloche and the machine as the Tour a Guilloche.
Guilloche soon became the most popular method for decorating gold boxes in the 18th century. The process remained popular into the early 20th Century, reaching its zenith in the workshops of Faberge, and facing near extinction when his shop was closed in 1918. The Tour a Guilloche machines used in the workshops of Robert Whiteside to produce his works of art were made in Europe around 1840 and some as late as 1950. The unique look is achieved by applying a thin layer of vitreous enamel over a guilloche surface of gold or sterling silver and firing at a temperature of 1450 F. With so many objects yet to be designed , Robert Whiteside hopes that his art form will endure to be enjoyed by discriminating collectors around the world.  He has also established private instruction courses where a student may visit the acerage and stay at the B&B while studying the craft.

Robert Whiteside’s work has been publicly acknowledged by several commissions from the White House, although private collectors have been quietly buying for years. In addition to works in the personal collection of President and Mrs. Reagan, Whiteside’s creations have been presented as Gifts of State to such dignitaries as Queen Silvia of Sweden, Crown Princess Michiko of Japan and the wives of Chancellor Kohl of West Germany, Prime Minister Nakasone of Japan, Prime Minister Chirac of France, Prime Minister Mulroney of Canada, President Duarte of El Salvador and President Sarney of Brazil.

Queen Silvia of Sweden and Mrs. Mulroney of Canada were so enamored with their Whiteside-made gifts presented  to them by President and Mrs. Reagan that when they visited the Reagans again this year, additional Whiteside items were summoned by the State Department for the Reagans to present.

Among others, Mr. Whiteside was  the guests of the Reagans at a White House reception honoring American musical theatre--A Salute to Broadway.  Noted composer/musician Marvin Hamlisch was master of ceremonies and such noted personalities as Mary Martin, Bea Arthur and Jennifer Hoilday were in attendance.  

While in Washington, Mr. Whiteside also was guest of Ambassador Lucky Roosevelt, the current U.S. Chief of Protocol, for a special tour of the State Department.  At her request, Robert hand-carried some special gifts for the next heads of state official visit.

His two most memorable experiences were going to the White House to meet the President and First Lady and Audrey Hepburn.  The meeting with Audrey Hepburn came about when UNICEF was having a fund raiser. Robert was chosen to create a picture frame which would house an autographed picture of Ms. Hepburn, as Holly Golightly in Breakfast at Tiffany's.  It was to be auctioned for the charity.  "Many people comment what a wonderful person she seemed to be on screen and want to know is she was like that in person.  I have never met a more genuine, gentle and kind human being.  She was the personification of elegance"

A man who is generous with his abundant talents, Whiteside, in conjunction with Gumps, a specialty store noted for quality, created a donation for the 1987 Crystal Charity Ball. The exquisite Faberge inspired table setting for six of gilded sterling silver, royal blue guilloche enamel included:  Six place card holders enhanced by an small vermeil bow and two cultured pearl feet, six pair of salt and pepper shakers accented by four cultured pearl feet, six cylindrical columned candlesticks, six napkin rings accented at each edge by a vermeil border, and for the crowning glory, a stunning Faberge inspired presentation egg mounted on Brazilian Rock crystal base.  The hinged egg is mounted with a  clock movement within the lid so as to display the clock when the egg is left open--a perfect compliment to any table setting.

At the invitation of Anita Madden of Louisville, Kentucky, Whiteside exhibited his works at the Kentucky Derby Eve Party.  Artisan that he is Robert created numerous special items for the occasion.  He described them as "horsy" in theme.  They made a big hit.

Born in Tupelo, Mississippi  in 1950 and raised primarily in Texas first dreamed of a musical career.  He played the cello at 13, and went on to play the flute oboe and saxophone, before settling with the clarinet of which he majored at N.T.S.U.  After attending North Texas State University he went on the study musical instrument repair in Boston.  In 1972, he was exposed to his first genuine piece of Faberge. "Once a craftsman beholds the work of Faberge',  it is a logical course to strive, from that point on, to achieve the same quality." So he set himself on the path of the visual arts.  It was also this interest for intricate metal work on musical instruments that prompted him to enter the field of the goldsmith.

Aside from his now well known objects d'art, Whiteside's jewelry has become popular and enduring.  From custom creations designed to enhance family heirloom pieces or create the heirlooms of tomorrow to bold contemporary designs featuring natural and semi-precious stones, enamel, gilt-sterling and gold. 

Even the famous Forbes Collection, said to be the world's most complete collection of original Faberge works, knows of Dallas' Whiteside.  When Forbes was recently asked to loan The Faberge Coronation Egg to film a national television commercial for Lincoln Mercury at Culver City, Forbes curator, Margaret Kelly, suggested the producer contact Robert Whiteside rather than undergo the expensive insurance and security that would be required with a Faberge egg.  After brief negotiations, Whiteside was flown to California with a Whiteside presentation egg for the filming.  The 1989 Lincolns popped out of the egg in place of the expected Cinderella coach. 

In 1995 Robert decided to make a major change in his life.   He moved his Dallas shop to a 68 acre estate in the quiet Piney Woods of East Texas outside Mount Vernon.  Here Robert operates a Bed and Breakfast and Restaurant while also escaping to his jewelry studio to explore more artistic possibilities.

Whiteside's prices today rang from $100 for a small, miniature egg charm to $50,000 or more for an important presentation egg, one thing is certain, his works appear also destined for an important place in our history and are a current must for any serious collector.

M.T.

 

mail@robertwhiteside.com

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Crafting International Treasures
by Steve Levin
October 1987


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People Section


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March 1980


Park Cities People
September 1986


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Living/Home section
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November 1986


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Feb 1989
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March 1989


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“Sweet Sorrow”


Dallas Morning News
July 1988
by Alan Peppard


Dallas Morning News
High Style section
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